Over the Christmas break, I was catching up on some podcasts, and one caught my attention because it contained incorrect information that confused Colour Contrast and Luminance Contrast whilst misquoting the prescriptive requirements, including 60% contrast being required and using paint swatches against door frames to work out the level of compliance.
In this blog, I will review the prescriptive requirements for Luminance Contrast and Colour Contrast as detailed in the SDA Design Standards so people can refer to factual information rather than incorrect speculation. This is why you need to ensure your SDA Assessor and accredited provider understand these requirements, especially for risk mitigation.
19.1 All doorways shall have a minimum luminance contrast of 30% provided between:
The minimum width of the area of luminance contrast shall be 50 mm.
The formula used for the assessment of luminance contrast shall be the Bowman-Sapolinski equation of;
125(Y2-Y1)/(Y1+Y2+25) where Y2 is the LRV of the lighter area and Y1 is the LRV of the darker area.
19.2 Solid (and non-translucent) contrasting glazing strip of 75mm width and between 900mm to 1000mm above FFL shall be provided for the full width of a glazed area which could be mistaken for an opening
19.3 Toilet seat shall have a minimum luminance contrast of 30% with the background (example, pan, wall or floor against which it is viewed).
19.4 Colour contrast shall be provided between floor surfaces and wall surfaces
Luminance contrast, as outlined in Australian Standard AS 1428.1-2009, refers to the comparison of light reflected from one surface or component to the light reflected from another surface or component. This concept is crucial in various fields, including design and accessibility, as it helps ensure that different elements are distinguishable from one another.
It’s important to note that luminance contrast is not about the difference in colour or colour contrast. Instead, it focuses on the difference in the light-reflective properties of each colour. This means that two colours can have a high luminance contrast even if they are similar in hue as long as their reflective properties differ significantly. Conversely, two colours with different hues might have low luminance contrast if their reflective properties are similar.
Understanding luminance contrast is essential for creating environments that are accessible to everyone, including people with vision impairment. By ensuring sufficient contrast between surfaces and components, designers can make spaces easier to navigate and use. This principle is applied in various contexts, such as:
There are two methods to measure luminance contrast: in a laboratory or on-site. Both methods require the use of a costly Tristimulus Colourimeter or Spectrophotometer to measure the ‘Luminance Reflective Value’ (LRV) of each surface. Luckily, most reputable paint, tactile, and nosing manufacturers provide this information to designers, and it is often available on colour charts as an ‘LRV’ value.
Equal Access has spent over forty thousand dollars to purchase the appropriate testing equipment for Luminance Contrast Testing to ensure all testing results are fully compliant and can be relied upon by our clients.
For most testing, we use a tristimulus colourimeter with diffuse illumination/normal viewing (d/o) geometry alongside the CIE Standard Illuminant D65. The instrument is capable of measuring absolute CIE values to calculate Yxy. The tristimulus value Y defines the measured luminous reflectance, while the chromaticity coordinates x and y indicate the colour.
The luminance contrast (C) of two surfaces has to be calculated using the following equation:
We also use a Single Lens Reflex Luminance Meter, commonly known as a Photometer with a 1° measurement field and a spectral responsivity approximating the CIE 1931 Standard Observer V (λ) function as specified in ISO 11664-1 for testing contrasting bands on glazing.
Most product manufacturers now provide LRV values for their products, including paint, TGSIs, nosings, floor coverings, etc., so confirming the product’s luminance contrast is straightforward.
To assist, we have developed two online Luminance Contrast Calculators to assist designers and certifiers in checking if two colours will achieve a minimum luminance contrast, which takes the hard work out of calculating the value yourself (and without having to decipher the calculations such as the Bowman-Sapolinski equation C = 125 (Y2 − Y1)/(Y1 + Y2 + 25)). It simply requires the user to enter the two values to determine the luminance contrast of the two colours.
The following are examples of both Luminance Contrast and Colour Contrast. You can see where there are distinct colour differences; the difference in luminance contrast is minimal.
No. Colour Luminance Contrast %
1 Opus 64 0.9
2 Opus Half 71 4.7
3 Opus Quarter 78 9.7
4 Breezy 61 13
5 Breezy Half 69 6.6
6 Breezy Quarter 76 1.4
7 Enchantress 9 77.1
8 Charred Clay 14 68.4
9 Butter Ridge 76 1.4
10 Bee Hall 63 1.7
11 Capitol Yellow 54 9.6
Contrasting with the central base colour, Dulux Lamarque: LRV 89
No. Colour Luminance Contrast %
12 Apple Slice 85 2.6
13 Apple Slice Half 88 0.7
14 Apple Slice Quarter 90 0.7
15 Water Worn 33 47.7
16 Accord 45 34.6
17 Grey Pail 56 24.3
18 Red Terra 16 70.2
19 Dandelion Yellow 67 15.2
20 Dewpoint 77 7.9
21 Dewpoint Half 70 13
22 Dewpoint Quarter 62 19.2